Shadow Of Events

by Alexander Rishaug

supported by
Chris Koelle
Chris Koelle thumbnail
Justin Rogers
Justin Rogers thumbnail
Mattie
Mattie thumbnail
Adam Rignall
Adam Rignall thumbnail
/

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      €5 EUR  or more

     

  • Record/Vinyl + Digital Album

    Very few copies back in stock!

    Includes unlimited streaming of Shadow Of Events via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    4 remaining

      €13 EUR or more 

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Shadow Of Events via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      €10 EUR or more 

     

  • Full Digital Discography

    74
    releases

    Get all 74 Dekorder releases available on Bandcamp and save 50%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of II: Music for Film and Theatre, Hyper, Al-Bashariyya, The Illuminated, Unfolding Luxury beyond the City of Dreams, Inner Space Memorial in Wonderland, Keine Oase in Sicht, Alas Rattoisaa Virtaa, and 66 more. , and , .

      €195 EUR or more (50% OFF)

     

1.
11:28
buy track
2.
08:56
buy track
3.
06:55
buy track
4.
03:04
buy track
5.
04:59
buy track
6.
08:04
buy track

about

Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001’s Panorama on the Smalltown Supersound label.

The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noises.

“Most of the tracks are developed from field recordings, instrument improvisation or live sampling. Then processed and edited with the computer as the main tool. I’ve used sounds hailing from a dusty rhodes, a lovely guitar, a nervous radio and a lonely piano.”

Rishaug’s music is informed by classic minimal composers such as Steve Reich and Terry Riley as well as 90’s electronica acts such as the Oval/Microstoria axis and like-minded but more obscure artists associated with the Mille Plateaux label (remember Neina?) but surely wouldn’t be out of place on a contemporary label like Kranky or Type.

Repetitive and seemingly simple melodic patterns are combined with (and sometimes obscured by) decaying monlithic drone layers creating a hazy melancholic landscape slowly unfolding its beauty. Granular shoegazy tones are building up in slow-motion recalling the patient yet precise and complex drone works of Stephan Mathieu, William Basinski and Machinefabriek’s Dauw album.


Alexander Rishaug was part of the improv collective ARM (1996-2006) with Arne Borgan and Are Mokkelbost (Killl) as well as collaborating with Lasse Marhaug on a Lucky Kitchen release. He has remixed metal bands Ulver and She Said Destroy as well as noise duo Jazkamer and Bjorn Hatterud and Conrad Schnitzler’s recent collaboration.

credits

released April 25, 2011

tags

tags: experimental electroacoustic electronic psychedelic Hamburg

license

all rights reserved